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CAPE GAZETTE, Friday, June 9 - June 15, 2000 - 611
Artist unchains spirits from bindings of bark
By Esther Kernosh
Tom Yates began his artistic ca-
reer in a most'unusual manner.
"One day I dug up a plant, shook
off the dirt, looked at the piece
and thought 'This plant needs a
face. It looks like a rastafarian.'
This was eight years ago," said
Yates.
"Then I found another piece of
wood. I started looking for pieces
and the art has evolved since
then," he said. "I entered some
sculptures in the SoWeBo Art fes-
tival in the southwestern Balti-
more neighborhood, SoWeBo.
Some woman bought half my
stuff. This really pumped me up. I
started doing shows," Yates said.
In the intervening years Yates' art
became so successful he gave up
his teaching career and concen-
trated on his art and on raising his
three daughters.
Yates' artwork involved more
than carving skills. His sculptures
were defined by the raw materials
- the wood - Yates found in nature.
"Last year I bought a boat, so now
I can pull up to a shoreline and
gather pieces of driftwood. I used
to take the truck and my dog,
Chessie, and walk through the
woods all day looking for pieces,"
Yates said.
"I like to complement the wood
with my work. People can do
carvings. I like to have nature's
work." Yates continued describ-
ing his discovery process: "People
see bits of gnarled wood. I see
where a face might belong in that
gnarled pit."
Yates stressed his carvings are
one-of-a-kind. His finished
sculptures are defined by what he
f'mds. "People ask, 'Can I get an-
other one like that?' I have to tell
them, 'No, no you can't,' " said
Yates. Each piece of wood is
unique. Each piece of wood re-
veals a different face as it is
carved.
Yates' sculptures range in size
and shape. He has carved wood
into jewelry, into almost life-size
chess pieces, and he has carved
16-foot tree trunks into a wizened
old man or a lighthouse, or both.
"'A few years ago in, 1997 or
1998, a lady from Harrington
called me about a tree in her yard
struck by lightening.
"I don't usually go out and pick
up these pieces, but I got this one.
It had an old
man's face. I
also carved a
lighthouse
out of the
top," said
Yates. "I use
this as my.
test piece. It
has been out-
side to see
how weather
affects the
wood and the
finish. It's
done well so
far but I may This soulful
change the guy hangs in
lighthouse." the trees keep-
Yates grew ing a watch on
up nurtured the Yates family.
by art. His
mother, an artist, was an art
teacher. "Her love for art really
opened me up to art," Yates said.
His parents retired to Wilmington,
N.C., where his mother is still ac-
tive as an artist. Yates learned
about the tools he now uses to cre-
ate art while vorking as a builder.
"I worked for a builder in high
school. That's when I learned the
tool part." Yates is doing the
same for his three girls. "I used to
teach school. I was a special edu-
€:ation teacher. I taught art and so-
cial studies. After the birth of our
third daughter, it was apparent
that most of my teaching salary
was going for someone else to
watch my kids. So I started stay-
ing home with the kids," said
Yates.
When Yates' wife returns home
each day, he retires to his shop.
Sometimes he works until 2 a.m.
The demand for Yates' art has in-
creased. "Summers and fall are
very good. Winters are a little
slow, but this gives me achance to
stock up on wood and carve. I
have a supply in case I can't get
out on the water, like last winter,"
Yates explained,
"I have pieces in a variety of
places. I have some works in the
shop at the American Visionary
Art Museum in Baltimore. I have
Continued on page 66
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Tom Yates carved these almost life-size chess pieces to
represent the Yorks and the Lancasters in Britain's War
of the Roses. The queen is one of the few female faces
Yates has completed.
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Eher Kemosh photos
Artist Tom Yates keeps company
with two of the old spirits he's dis-
covered hiding in wood.
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